Donald Where’s Your Troosers?

I hate wearing clothes, especially winter clothes – don’t you? Not that I’m by any means an exhibitionist; I simply hate the feeling of being cluttered up with big warm clothes (or, even worse, tight warm clothes). I’m happiest in a pair of shorts, skimpy sun-top and a nice tan – preferably, in the sunshine. The trouble is that I’m in England in the autumn.

At around twelve-thirty this afternoon I went into my bedroom in order to find an outfit to wear for a family gathering – a birthday party for my cousin, John, and his girlfriend, Annette (we are all the same age, but, sorry, we’re keeping tight-lipped about the exact figure). Talking about figures, one really does want to make a reasonable impression even though they are only family; you don’t wish to appear to have gone downhill too much in the months since you last saw your cousins, even if you have (it’s so hard to keep up the rigorous exercise in the colder weather!). In my mind’s eye I fancied I might wear slimming black trousers, a red top and a new cardigan in cream with black spots – that would go with my new red dufflecoat; it’s funny how awful it looked when I tried it on (not the coat – I didn’t get that far). Moments later I surveyed my reflection in the mirror: my white stretchy jeans looked plain odd somehow, though they were a hit last time I wore them. My favourite harem trousers were impossible – you can’t wear trainers or black ankle boots with harem trousers, or with cut-off jumpsuits…

By five past one, half the contents of my wardrobe were piled high on the bed. Chris called down from upstairs:

“Ten minutes and we must be off, Darling!”

“Okay!” I called back, which was quite optimistic because, at the time, I was stood only in my bra and pants.

In desperation, I tried to remember any combination that I used to look good in, and which still fitted. It seemed that I was in pink mode after all (how silly of me to have mistakenly thought it was red) and I settled for a pale pink Australian top, matching pink puff-sleeved cardigan and a pink jacket; on the bottom I wore black jeans and black boots, which reminds me… as if I need to be reminded…

Yesterday morning was yet another difficult time for me in the matter of what to wear. Luckily, or so I thought, I had found an old pair of black hipster jeans at the back of the bottom drawer; they were nice boot-leg jeans (rather than skinny “drainpipes”, which look good only on skinny drainpipes) and I reckoned they would go well with my red coat. I tried on the hipsters and found that they were a tad tight at the top and a bit of fat poked over the band – like a muffin top! I took them off and observed the dart at the back. In a jiffy I had them back on, minus the dart, and with three extra inches there was no sign of any muffin spilling over the top. I yanked them up as high as they would go, put on my coat and ran out to the car where Chris had been waiting.

It’s a good job I wore that dufflecoat. I found I could easily slip my hand inside every few seconds to pull up my trousers, which, indeed, I had to do every few seconds, but only whilst I was standing or walking (which is mostly what you have to do when you go shopping). I rather wished that my new coat was not such a bright colour; it’s hard to yank and pull inconspicuously at one’s trousers when one is wearing a red coat (or orange, if you share the same opinion as Chris).

I was going through some items in a sale rack at Tesco’s when it happened first; with my mind and hands fully occupied looking for bargains, I momentarily forgot there was a need to tug every three seconds, and before I knew it my hipsters had fallen off my hips and were half-way down my thighs. Fortunately, my dufflecoat is knee-length, and if anyone had noticed anything strange about my troosers, it would have been simply that they were rather more concertinaed than is usual for boot-legs. As inconspicuously as possible (wearing a bright red dufflecoat) I sidled over to a more secluded area, by the changing rooms door, and gave a deft yank using both hands.

The next time my troosers came down was when we brought all the shopping in from the car – two minutes with both hands full – but on that occasion I let them fall, concertina-style, all the way to the floor. I stepped out of them, leaving them like a relic from body-snatching aliens.

“That’s a good idea,” Chris said, “I think I’ll get changed into something more comfortable too!”

Chris, too, hates clothes.

And here are the lyrics to the Andy Stewart song from the early sixties…

 

Andy Stewart – Donald Where’s Your Troosers? Lyrics

I’ve just come down
From the Isle of Skye
I’m not very big and I’m awful shy
And the lassies shout when I go by
Donald, where’s your troosers[Chorus:]
Let the wind blow high
Let the wind blow low
Through the streets
In my kilt, I’ll go
All the lassies say hello
Donald, where’s your troosers

A lassie took me to a ball
And it was slippery in the hall
And I was feared that I would fall
For I had nae on my troosers

[Repeat chorus]

Now I went down to London Town
And I had some fun in the underground
The ladies turned their heads around
Saying, Donald, where are your trousers

[Repeat chorus]

To wear the kilt is my delight
It is not wrong I know it’s right
The Highlanders would get a fright
If they saw me in the trousers

[Repeat chorus]

The lassies want me every one
Well, let them catch me if they can
You canna take the breaks
If a Highland man
And I don’t wear the troosers

[Repeat chorus]

Donald, where’s your troosers
Donald, where’s your troo

Oh, well, that’s the way
We sing the song in Scotland
But of course the song might
Have more international appeal
Sung something like this
One, two, three, four

Well, I’ve just come down
From the Isle of Skye
I’m not very big and I’m awful shy
The lassies shout when I go by
Hey, Donald, where’s your troosers

Let the wind blow high
Let the wind blow low
Through the streets
In my kilt, I’ll go
All the lassies shout, go, go
Donald, where’s your troosers

Oh, man, I’m all rock and roll
And I’m a-moving and
A-grooving to save my soul
Grab your kilt and go, go, go
Hey, Donald, where’s your troosers

Let the wind blow high
Let the wind blow low
Through the streets
In my kilt, I’ll go
Oh, yeah, go, go, go

Hey, Donald, where’s your troosers
Hey Donald, where’s your troosers
Yeah, hey, Donald

Hey, just a minute
What are you doing there
(Man, I’m rocking it, man)
(Man, I’m really moving it, man)

Well just you stop rocking it
And moving it, man
The song should be sung
Just exactly like this

I’ve just come down
From the Isle of Skye
I’m not very big and I’m awful shy
And the lassies shout when I go by
Donald, where’s your troosers

[Repeat chorus]

Donald, where’s your troosers

You’ve Got to Pat-an-Owl or Two, (Boys)

You just never know what you’re going to find at our local Trago Mills store, inside or out! Awaiting us this morning was a lovely surprise in front of the main entrance… a European Eagle Owl called Dusk and a Barn Owl called Spirit. How often do you get this close to owls? And best of all, they enjoyed to be petted and patted. The feathers on the little Barn Owl were incredibly soft, as nearly all the comers to the store discovered.

For a couple of pounds I was allowed to take photographs of my dear old mum patting the owls. Just look at the joy on her face. Well, if only to find some peace of mind, you have to pat-an-owl or two!

The Demonstration

I wasn’t worried about giving a demonstration of canal painting in acrylics when asked by Tony, the art events organiser for several of the Sidmouth art groups; but that was several months ago and, as the time drew closer, I began to fret a little. Will they like my work? What if it all goes horribly wrong? How can I possibly paint a picture in just two hours (including the coffee break)? Will I dry up, go blank and look a fool? Such questions, which had started to enter my mind as vague niggles that did not have to be pondered over too greatly at first, eventually became real and terrifying prospects, especially during the three preceding days leading up to the demonstration on Wednesday.

It is not to say that it was to be my first demonstration – that took place over twenty years ago (I remember it well because I couldn’t sleep for four nights running) – and I’m certainly not lacking confidence in my ability to paint or impart my knowledge on the subject; no, if you haven’t guessed yet, it was the fear of speaking and performing in public that made me anxious.

Oddly enough, when Tony approached me by email, he didn’t realise that he knew me from the days when I lived in the neighbouring East Devon village of Woodbury – back then I used to work in my boyfriend’s antique shop and Tony was one of the antique dealers who used to visit our shop. He would have known me only as Sally.

“I wonder if I shall recognise you?,” I laughed over the phone to Tony last Monday. “I recall you had lovely wavy dark hair and a nice rosy complexion.”

“It wasn’t that dark but it was wavy. Now I’m bald!” Tony said good-humouredly.

Chris and I were stuck in a traffic jam – there had been an accident a mile ahead –  and we were just outside of Exeter, perhaps half-way between home and the venue, Sidmouth Art Centre; we had allowed plenty of time to arrive by six-thirty but there was not enough time to go back home for anything I had forgotten. Suddenly, it struck me that I may have forgotten to put any white paint in with my box of tricks.

“Oh no!”, I exclaimed.

“What?” Chris jumped.

“Did you notice if there was any white paint in the box? I think I might have left it on the side,” I answered with desperation in my voice.

“How would I know what you put in the box? Surely you would have considered what paints you needed to bring?” Chris’s was the voice of reason.

“Oh dear, this is what you get when you let other people carry your things to the car,” I grumbled unreasonably.

We passed the crumpled cars, illuminated in the darkness by flashing blue lights, and the traffic picked up speed. We would make it on time. Relief. Chris and I were fairly quiet in the car as I thought up various ways of painting a sky without using white paint.

“How old is Tony?” Chris tried to prevent me from considering a sky painted with blue and Naples Yellow or Pink Blush.

“I don’t know. Everyone looks older when you are young. He might be as little as ten years older than me, or a many as eighteen. He said he’s bald, but that’s not necessarily an indicator of age,” I pondered aloud.

And when we had exhausted the the topic of Tony’s age I reverted to thoughts of purple and green skies.

We arrived early at six-fifteen, the time that Tony had intended to be there. The Art Centre was exactly where Tony had described but there were three entrances and we wondered which was the right one. A car pulled up and a lady got out; leaving her older husband to manage with his walking sticks on his own, she made her way hurriedly to the lower entrance. Whilst Chris turned the car around I approached the elderly gentleman gingerly – it was dark and I didn’t want to startle him.

“Tony? Is that you Tony?” I inquired. “It’s me – Sally?”

“No Sally, I’m not Tony,” he turned around and in the poor light I could see, indeed, that he bore no resemblance to Tony.

“Who are you then?” I asked.

“I’m Alan.”

“Are you going to the art demonstration? ” I continued.

“Yes, I have to because my wife is the secretary. Are you going Sally?”

“I should hope so – I’m the artist giving the demonstration,” I laughed.

 

In spite of all my concerns the demonstration went rather well, by all accounts. The thirty or so amateur artists were lovely smiley people who put me at my ease and asked questions as I painted. The easel wasn’t as stable as my own at home and it wobbled quite a bit when I brought out my painter-and-decorator brush to lay down the sky quickly on a new large canvas. According to many, including Chris, the cameraman did an excellent job; and apparently, he’d been able to rectify the poor colour quality to a large degree so they might well have noticed if I hadn’t brought white paint; luckily I didn’t have to resort to painting the sky with a strange cast. All that needless worry…

An email from Tony (still handsome despite his hair loss) confirmed my own appraisal of the demo –  they liked it (hooray!). In fact, I’ve been asked to hold an art workshop next October. Am I worried? Of course not. I don’t start worrying until much nearer the time.

Isabella and the Pot of Basil (Before and After the Transplant)

Many of you may, like me, be familiar with the famous image of William Holman Hunt’s depiction of Isabella (Isabella and the Pot of Basil); however, until today, I did not realise that the painting had been inspired by the sixty-three verse romantic poem of love and loss called “Isabella: or, the Pot of Basil” by John Keats and published in 1818 (incidentally, the same year that Mary Shelly’s Frankenstein was published).

In fact, had I read the tragic poem first I might not have decided to use the image, digitally enhanced, as a birthday card for my beautiful daughter-in-law. I simply thought that Jaimy’s head would go delightfully well on the body of Isabella, which it does, as you can see from the photograph below; I had no idea that within the golden pot that Isabella holds so lovingly was the head of her murdered lover covered over with earth and a thriving basil plant (I know, the skulls around the sides of the pot should have been a giveaway). Don’t worry, she didn’t murder him – her nasty brothers saw to the grisly task – the painting is all about her undying love.

So that’s alright then. It had better be… because the card is in the post already. I hope you’d agree that Isabella, with Jaimy’s head, digitally transposed (one might say, beautifully executed), makes for a lovely arty birthday card. Shh! Please don’t tell her the name of the painting or she might search the Internet for interesting facts about the inspiration for Hunt’s masterpiece and Keat’s poem (based on a story from Boccaccio’s Decameron), as I did!

 

 

 

Our Aching bones

Sunday wasn’t perhaps the best day for taking a long walk on the sand dunes; it was extremely cold and windy but I had bought a new vermillion red dufflecoat the previous day and I was eager to give it an airing (which was quite convenient considering it was so gusty). I mention that my new coat is red only because Chris and a few other people have mistakenly called it “orange”. To be honest, I could tell that Chris wasn’t too keen on going out – he would much rather have stayed in to watch the final  F1 race of the season – but I was yearning for a “proper walk” and Chris could record the race.

“The days are so short, why don’t we walk locally?” Chris suggested.

My face fell.

“Let’s walk to the Warren and go a bit further than usual – onto the dunes,” he added to secure the deal.

We met two men dressed in orange (our beloved sea wall repairmen) on our way down to the seawall farther on from our section, which has been closed off since the storm damage in February. I could have wished that my new coat was the same colour orange (but is not) to show allegiance. Chris said we matched.

The wind was even stronger at Dawlish Warren.

“It’s very cold,” Chris remarked, hoping that I would recommend turning back for home.

“But you said we could go further…” I reminded him.

“Let’s take the beach then – it’s easier to walk on firm sand,” he suggested.

“But I had visions of us taking the path through the sand dunes…”

We took the winding path that took us over the dunes (we’re very democratic in our household) and we were exhilarated by the wind through our hair and the dramatic clouds that made an arrow in the sky towards Exmouth on the other side of the river (the Warren dunes are on a spit that meets the mouth of the River Exe). Chris said they were jet-stream clouds.

Ahead of us was a couple; the woman had long dark hair and she wore a red jacket which attracted us like a beacon, leading us onward. I was reminded of the poppy fields painting by Monet and I secretly hoped that my own new coat looked as picturesque… although I suspected not because the red dot in the distance was rather more crimson than vermillion… or orange.

In spite of another attempt, or two, by Chris to shorten our walk, we made it out past the golf course and the estuary on our left, to the very end of the spit. The sun shone beautifully over Exmouth. I pointed out the jetty where a little Jim, our son, at three years old caught his first fish.

With the afternoon sun in our eyes, we walked back along the beach, scrambled over the many lines of wooden groynes, and before even we joined the path again we were feeling the rigours of the walk.

“My left hip aches,” I announced, “not to mention my left thigh, which still hurts from Zumba.”

“It’s funny you should mention that because my right hip aches,” Chris admitted.

On “terra firma” once again we found a spring in our step…for a few minutes at least. Some hot chips helped us summon the energy for the last mile and a half to home. We had been walking for four hours.

“Sorry it was such a long walk today,” I said later, my aching legs up on the sofa.

“No, I’m glad – it was wonderful – but I can still feel it in my hip. And Darling, your new coat is orange,” Chris said.

Last word man.

Kindred Spirits

Yesterday, although sunny, was the coldest day since last winter and I had to have the central heating on in order to make it bearable to paint in my studio. Today it is cold again but there is no sun, in fact, it’s dark and rainy; nevertheless, I have to stay in the studio and prepare a semi-finished painting for tomorrow evening – I’m giving a painting demonstration to Sidmouth Art Group.

It seemed like a good idea five months ago, when I agreed to give the demonstration, but now I’m a bit nervous. I can’t paint a half-way good  picture in two hours – not even with fast drying acrylics – so I have come up with a plan that I trust will be both satisfactory to the art group and not let me down as an artist. I am working on a new painting of Exeter Canal (at the estuary end) and, having completed the sky and background already, I hope to have one side of the painting finished, which would leave me the other side to work on during the demonstration. But before bringing out the three-quarter finished painting, I shall start on a new canvas to show the group how to begin. When I think about thirty amateur artists watching me paint (and having a video camera on me the whole time) I feel quite nerve-racked, however, if I can think of those thirty people as well-wishers and kindred spirits, I shall be alright on the night.

On the subject of kindred spirits, earlier today I came across something I wrote during my visit to Australia last January; somehow, it seems fitting to share it with you.

 

Kindred Spirits

At last I was over the jetlag and the cold I had caught from the Frenchman who had sat next to me on the plane. I was stood on the corner of Foch Street and West Avenue; just as I was considering which route to take for my walk around my old home town of Wynnum a lady with a small dog had crossed the road and stepped in front of me on the pavement. The lady, who was well into her sixties or more, wore a wide-brimmed white straw sunhat, which gave her a typically Australian appearance.

“Isn’t it beautiful here in the early morning?” I asked.

The lady, somewhat surprised to be addressed by a stranger, stopped and searched my face for something she might recognise. 

“Especially the light,” I added, continuing with a smile that told her I was simply another passerby enjoying the first light.

“And especially after the rain – everything is so crisp and fresh!” responded the lady.

“Yes, for a short while,” I agreed.

“And people miss it by staying in bed,” she laughed.

“But not us,” I observed, laughing with her.

The dog pulled on his lead, urging his mistress to move on, and she fell into line. My eyes followed her broad-brimmed straw hat, crisp and white, in the sunshine. I saw her pause and I sensed she was going to turn around, which she did.

“You have a lovely day now!” she said cheerily.

“You too,” I answered equally cheerily.

Kindred spirits.

A Brilliant Sunrise

Chris was out on the terrace with his camera ready to catch the sunrise this morning and this is what he saw…

Morphed

Yesterday I felt rather chuffed to receive a Facebook friend request from a man I didn’t know.

“I must be really popular now!” I thought. “But I’d better check him out before accepting him willy-nilly.”

So I clicked on his profile and, to my surprise, the invitation was from my thirteen-year-old nephew, James – he had used his middle name as his surname (perhaps for anonymity); however, he had no qualms about showing a lovely photograph of himself, therefore I recognised him instantly (I should hope so!). In truth, I felt even more chuffed to realise it was our James rather than a mystery man (although the prospect had been quite exciting for a short while).

“I can’t be such an old fogey if James wants me to be a Facebook friend,” I reasoned happily to myself.

I liked James’ entry in the now customary fashion (in order that he might feel as popular as he had made me feel) and I even sent him a nice photograph of him, taken in the summer when he was still just a kid of twelve.

A little later I visited my nephew’s site again to see if there had been any reaction from James (I hoped he didn’t hate that photo, which I had aired for all the world to see.) It was thrilling to see that one of his friends had indeed liked the photograph.

“Nice one James,” a nice young chap called Josh had written.

I decided to click on Josh’s profile to see what James’ friends are like. He had to be a good egg if he had made such a pleasant and normal comment on Facebook. I wasn’t disappointed. His profile photograph showed a normal kid wearing glasses, which made him look like Brains from Thunderbirds. He is at “Station level 7” (whatever that may be, but it is undoubtedly something of an achievement) and he scored an impressive 1,633 on Kawai Run (must find out what that is so I can like it). Best of all, Josh had put a “selfie” on his site; it was entitled, “Got me Morphsuits on”.

Now until this revelation I had no idea what a morphsuit is (and I still wasn’t sure even after seeing the photograph), however, what I did notice was a certain similarity between Josh’s morphsuit and my convict-style bedtime onesie (as you may remember from previous blogs, the crotch comes down almost to my knees). And for your edification I shall not only add photographs of various morphsuits (including my own and Josh’s) but also an excerpt from an interesting article on the subject in “The Observer” and an extract from a question and answer forum.

Whats the point of a morphsuit?

1 answer

Best Answer:  The point of a “morphsuit” (see link, below), is anonymity.

People who are usually timid or shy all of a sudden feel liberated and free to behave in a totally different, kooky manner when they are, well, disguised like that.

Good luck!… ☺

What Morph should I get?

Best Answer: I would either get a tux or a black one… I got a black one for halloween. : ):

Another question:

What is the point of Morphsuits?

Best Answer: fashion:

 

The men behind the morphsuit

By Tom Lamont

It started out as a hilarious prank at a stag-do and has morphed into a million-pound fancy-dress phenomenon. Tom Lamont meets the three Scotsmen who have given the world the mighty morphsuit.

Shape of things to come: revellers cover up in a selection of morphsuits at the T in the Park festival in Kinross. Photograph: Ross Gilmore for the Observer

Not long ago, three friends from Scotland went out for drinks wearing brightly coloured costumes from Japan. It would prove a pivotal night of fancy dress.

The trio – brothers Ali and Fraser Smeaton, and their friend from Edinburgh University, Gregor Lawson – were skiing in Canada. They decided to hit the local bars wearing “zentai suits” – skin-tight Japanese leotards that covered them from head to toe. It was an idea Gregor had pinched from a stag weekend, where one of the attendees, newly back from Asia, had shown up in a vivid blue zentai. “Everyone wanted to buy him a drink,” recalls Gregor. “I’d never seen anything like it.”

In Canada, dressed up in zentai suits of their own, the trio were likewise admired. “The resort shut down, people were stopping us in the street,” says Ali Smeaton. The friends wondered if they’d stumbled on a way to make some cash – perhaps fund next year’s ski trip. “A bit of pocket money,” says Ali. “We’d take something that existed, give it a name, change certain physical elements, bring it to the masses.” One modification they decided on right away was that their version would be made of something more see-through. They’d been walking around virtually blind.

That was in early 2009. Today, the morphsuit (as the trio boozily agreed to name their product) is a multimillion-pound concern. A zip-up costume made of polyester and Lycra, all-enveloping so that the wearer looks like a featureless mannequin, the morphsuit has become commonplace at sporting events and stag nights, festivals and parties. It has also made unusual incursions into the world beyond. The day after bin Laden was killed, in 2011, Al Jazeera carried a photograph of an anonymous American celebrating outside the White House in a morphsuit patterned with stars and stripes.

The River Teign in the Morning Sunshine

Photographs of the River Teign at low tide. The sunshine made us realise that we are still in autumn, not winter.

 

The Birds and Other Flying things

There were some strange sights in the air above Trago Mills this morning…